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Category: Rock

Monday Afternoon Blues - Still Going West - After The Concert (CD, Album)

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8 thoughts on “ Monday Afternoon Blues - Still Going West - After The Concert (CD, Album)

  1. Sep 08,  · It is Sunday afternoon, sometime past 3 o'clock. The weekend hourglass is spilling its treasure. Only Sunday night remains before the Monday-morning blahs -- .
  2. There is no blues on Murphy's new album. At least, not the bar kind that year-old guitar prodigies are famous for making. Instead, the two discs are split between two other distinct styles.
  3. In concert, "Tuesday Afternoon" is usually ended with a short reprise of the opening acoustic guitar riff after the flute solo, although when the Moody Blues perform backed by a live orchestra, the original orchestral link ends the song. Use in advertising. In , "Tuesday Afternoon" was included in a commercial for Visa's Check.
  4. From the release Days of Future Passed (Album) First Played in Concert January 24, by The Moody Blues at Gala du Midem ; Most Recently Played November 10, by Justin Hayward at Maxwell C. King Center for the Performing Arts, Melbourne, FL, USA.
  5. Sep 04,  · 50+ videos Play all Mix - The Moody Blues - "Tuesday Afternoon" - Original Stereo LP - HQ YouTube Nights In White Satin - Duration: The Moody Blues , views.
  6. Walt Ermansons captains the “Trophy” and has been fishing Lake Erie for 32 years. “I am still fishing for a living. I’m still trying to figure out what I want to do when I grow up,” he said.
  7. 10 Days Out: Blues From the Backroads is a historic documentary in which Kenny Wayne Shepherd takes the viewer on a day journey meeting Blues pioneers such as the Music Maker Relief Foundation’s Etta Baker, Cootie Stark, and Neal Pattman, as well as Blues elders B.B. King, Henry Townsend, Hubert Sumlin, Lazy Lester, Gatemouth Brown, Honeyboy Edwards, Pinetop Perkins, and .
  8. Rhythm and blues, abbreviated as R&B, is a genre of popular music that originated in African American communities in the s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music with a heavy, insistent beat" was becoming more popular.

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